Showing posts with label Dead Man's Cell Phone. Show all posts
Showing posts with label Dead Man's Cell Phone. Show all posts

Thursday, April 19, 2012

How Does Social Media Work?

As a part of the Symposium Undergraduate Research Fellowship at Eastern Michigan University I was granted the opportunity to perform a field research project on social media. My mentor, Ken Stevens, hired me as EMU Theatre’s Social Media Specialist. Read along to gain insight on EMU Theatre’s use of social media and hopefully be inspired to apply these discoveries to YOUR organization.

In the beginning stages of my research I sat down with EMU Theatre to figure out their goals in terms of marketing. One of the goals: Increase Social Media Initiative.

As you can see, there are many social media forums, however,
 I will discuss Facebook, Twitter, Youtube, Blogger, and Tumblr.

While we were accomplishing the marketing goals I was able to develop my thesis:
Steady streams of current and positive content generate an active online audience interaction.
This was my scholarly way of saying: If you post frequently and tactfully, people are going to respond. 

But before we go any further there are TWO RULES that you must move apply before you venture into your organization’s social media initiative:
  1. Do not fear your own voice. An audience does not need APA formatted blogs to appreciate the content. Let the voice inside your head spill onto your blogs and posts. Your audiences will appreciate the authenticity.
  2. Do not fear a small audience. It is better to have a small group of people who actually care about your content, than a large audience who have no emotional investment in your brand.
Can we move on? GREAT!

One question I hear a lot when an organization is contemplating incorporating social media is, “Why would we do it?”  What do organizations gain from social media? Do Facebook “likes” and Re-Tweets equal dollar signs?” Not exactly. But the benefit to a social media presence is the ACTIVE ONLINE AUDIENCE INTERACTION. You are able to interact with your customer before, during, and after their actual interaction with your product.

Personally, I use Facebook as EMU Theatre’s social media tool. It is easy to share content such as photos, videos, anecdotes, and blogs. Not to mention it has 483 million daily active users.



When I began my job in August, EMU Theatre had 218 Active Monthly Facebook Users, which means 218 Facebook users have interacted with our brand in the past month. Today, our Weekly Reach (meaning the number of people who view our content in their feed within a week) is consistently 7,500+ users (and that number continues to grow!). 

How did we do it?

MORE CONTENT: Photos, videos, anecdotes, and blogs.
Recent Facebook success has come from sharing all types of content but photos particularly generate enormous amounts of responses. Your organization can do its own form of pulling back the curtain and allowing audiences to see the behind-the-scenes work. We share the entire process with our online audience from rehearsal photos, to our first rehearsals in the theatre, to show photos. We also create themed archive albums to bring back pictures from past productions.

Rehearsal

Full Performance
Many questions arise with tools such as Twitter and blogging. EMU Theatre uses Twitter to CONNECT WITH PEOPLE in 140 characters or less. 



By using the #DeadMansCellPhone hashtag we were able to discover UFV Theatre, a university theatre in Canada who was also doing a production of Dead Man’s Cell Phone on the same weekend. We were able to share photos and tell each other to “Break Legs” (because sometimes Theatre People actually say that). Did this put more butts-in-seats? Not exactly. But EMU Theatre actively created a conversation about our service while enhancing business-to-business networking.

Our success with Youtube was a product of listening to our audience. We began to notice our most popular content was the promotion of our students. We embarked on a web series called Inside the EMU Actor's Studio in which I interviewed actors, directors, and designers of upcoming shows. 

 

I had read in many social media blogs to create a series of one type of video that would appeal to a specific audience, rather than making many different videos to appeal to all types of people.



Blogging is another forum organizations claim to have “nothing to say”. This is simply untrue. A dental office could not only send postcards about new equipment, but they could blog about it too! A restaurant could commission their workers to blog about who they are and why they enjoy their job. Trust me. The content is there. Remember the first rule? Do not fear your own voice. I mean it, people! Who cares if no one reads it right away! Get ahead of the game! Challenge yourself.


Finally, we used Tumblr for our national and international reach. Simply open a Tumblr account and click around. You will see how easy it can be to connect with people from all over the world who share very specific interests such as Shakespeare, cabaret, Moliere, etc.


(Awesome photo I found on Tumblr!)

This is all great…But how do people find your content in the first place and why do they come back?
  1. Start Tagging: "Tagging" a nifty word for a way to direct searches to your content. Each form of social media uses its own “tagging” system. I highly encourage you, whenever you open a new social media site, explore the tagging system. This will help audiences, who are looking for the content you’re posting, find your content. (These are example tags for EMU Theatre: theatre, theater, musical theater, acting, auditions, Shakespeare, cabaret, physical theatre, commedia dell arte, etc.)
  2.  STOP SHOUTING! No one cares about a mediocre post.
See. Who acts like this crazy guy? People don’t repeat ordinary information anymore. For example: Instead of posting, “Guys and Dolls opens on April 13! Don’t miss it!”  Try, “When the lights come up, enter into the 1940’s. Guys and Dolls. April 13-21.” Make it about the emotion! 


If you're still not convinced. EMU Theatre promoted a special late-night performance of Dead Man's Cell Phone through social media and word of mouth. The result? 180+ students attended the special event! Our social media numbers continue to grow, and we have a lot of fun producing content!


I am challenging you and your organization to pump up your social media use.Think of it as a creative task. You never know, you may learn something new about yourself or your organization. Just remember…
  1. Do not fear your own voice.
  2. Do not fear a small audience.
  3. Start tagging.
  4. STOP SHOUTING!

Sunday, January 22, 2012

#DeadMansCellPhone @EMUTheatre

Hello once again. I tend to blog about art events/artists I encounter. This particular post will concern my current project at hand, Dead Man's Cell Phone (Feb 3-16). Performing in a play I am simultaneously promoting has quite possibly been my nerdiest indulgence to date. (And yes, I use the adjective "nerdy" with a positive connotation.)


Let me start off by telling you a little about myself....

My name is Marissa Kurtzhals. I am 22 years old. I live in one of the best cities in the state of Michigan and I put most of my energy into EMU Theatre. I have actively participated in the theatre program (acting, crews, classes, student organizations, etc.) since I was a freshman, but it wasn't until Fall 2011 that I joined the marketing team as the Social Media Specialist.


I am a fourth year Arts Management student with minors in Theatre Communications and Marketing. I began my studies as an Accounting major and a Theatre minor until my wise pal, Charles Jabour, suggested I take a gander at EMU's Arts Management program. I was sold pretty quickly. I swiftly changed my major. And it has (literally) been the best decision I have (ever) made. I could walk you through every single amazing experience my studies have granted me like...



...meeting my professional soul-mate and kick-ass designer, Danelle Cheney...
....but let's just stick to one thing at a time (you can check out my resume on my LinkedIn Profile).

In my earlier days at EMU Theatre, Jabour directed a small production of The Clean House by Sarah Ruhl. I immediately fell in love with the juicy yet straightforward dialogue that Ruhl paints for actors, viewers, and readers. I was cast as Lane and was forever hooked as one of Ruhl's avid cult followers.

Shortly after, my strict yet dedicated high-school theatre director suggested I read Ruhl's Dead Man's Cell Phone. He lent me his personal copy and I was immediately intrigued by simply reading the reviews listed in the index...

"Ruhl's affection for the unexpected phrase, the kooky observation, the unlikely juxtaposition is essential to her central belief that the smallest and most trivial things in life can be charged with meaning," - Charles Isherwood, The New York Times.

I also took note to the fact that Mary-Louise Parker starred in the New York Premiere of Dead Man's Cell Phone, directed by Anne Bogart (that is Thespian Gold, people).


Within 60 minutes I completed reading the script. Chills ran through my core and I started crying as I read the final stage direction. The tears were partly caused by the story itself  and partly because I simply wanted more of the script. I had never encountered a work of art that encompassed so many of my interests: mortality, communication, contemporary art, theatre, romance, tragedy, comedy, irony, dark humor, action, symbolism,  subtleties, and profound themes translatable to every human being.I wanted to work on this show, someday on some level.

I returned the book to my teacher. From time-to-time I'd drop the title, Dead Man's Cell Phone, in philosophical conversations about theatre or technological communication, but for the most part - I put the show in the back of my mind. One lonely day in Massachusetts, I called a friend from EMU Theatre. He then revealed that Pirooz Aghssa had announced he would be directing Dead Man's Cell Phone at EMU Theatre.

...SAY AGAIN???

That night I hopped on Amazon.com and bought a $7 used copy of the script and cracked open my collection of Sarah Ruhl scripts.

"I'm going to be a part of this show," I thought. "I don't know how, exactly, but I need to be a part of this."


Dead Man's Cell Phone no longer lived in the back of my mind. I analyzed every female character, mentally preparing myself for anything auditions would throw my way. Around the same time is when I was offered the marketing position at EMU Theatre. (Let's pause for a second and so I can tell you that I actually get some of my kicks from marketing...it gets me all giddy.)

The first semester working for EMU Theatre was smashing success. I was sent to the NAMP Conference, EMU Theatre's social media numbers were up unlike ever before, I have been blessed with life-changing mentors, and my co-worker, Emily Clarkson, and I basically get paid to have fun and tell people to come watch our friends perform. (Check out our Inside EMU Actor's Studio project!)


ANYHOW! November rolled around the corner, Dead Man's Cell Phone auditions were straight ahead, I picked out my audition monologue, entertained the idea of skipping auditions to spare myself the grief of not being cast, decided to do it anyway, auditioned, and was cast!

(only Parks & Rec fans will find this funny, and I'm okay with that)

So you know what THAT means? That means I am working on the show in every possible way I could have ever wanted. I'm writing press releases as I memorize lines. I'm hanging posters as I exercise my voice. I ask people with smart phones to Tweet photos of the fight scene (THAT I'M IN!).


Not to mention... top-notch creators, designers, directors, and staff are elbow deep in the process of the highest form of storytelling. (Oh...And one of my best friends, Eric Hohnke and I are opposites. My roommate is in the show. And there's not a single person at rehearsals that I haven't known for 3+ years.)


On Monday (Jan. 23), we begin our last week of rehearsal before we move to tech-week. Promotional videos, blogs, and tweets are being produced and I'm currently pushing an effort to increase student attendance called "Student Night".  The idea is to add an extra performance of Dead Man's Cell Phone that will take place at 10pm and student tickets are Two-For-$Ten. (I'll report the results if the idea goes through!)


Dead Man's Cell Phone is a dark romantic comedy about a woman named Jean who unknowingly answers the cell phone of a dead stranger. She continues to create elaborate "confabulations" to make up for her self-imposed insensitivity as she explores the molecular afterthoughts of a man's life and his secrets within his cell phone. It has been a joy to create this character and we can't wait to show everyone how much we love this show.

(Tweet Pic of rehearsals. #DeadMansCellPhone Act One, Scene One.)

Thank you to every single person who has had anything to do with this production (and) or my involvement with this production. This show means a lot to us. It has made me stronger and has given me a fiery purpose until closing night. Show opens Feb 3. Click here for more and more info. COME SEE THE SHOW!!! WE CAN'T WAIT TO TELL YOU THIS STORY!!!